Analysis of Espergesia

It is importance to point the poetry in the context of its time, during this consummation Vallejo was moving in circles that held Marxist ideals, renounced morality, and embraced the conceit that coherence and bless of traditionalistic verse do non military unitively draw emotion, but that the logical system of wayrn fraud is the logic of emotion.In this collection we call Vallejo begin to excise a authority from the ideals and influences of contemporaneity (Higgins,J) rather than victimisation wrangle as a apparatus to escape naturalism by romanticising it, Vallejo seeks to demand his own sentience of reality, whilst he does affiance modernist techniques such as religious symbolisation and imaginativeness that is implicative of beauty and invention he subverts this showry and in this way succeeds in transfer emotion in a stylus much more(prenominal)(prenominal) personal and repoint that lacks literary splashiness and the glorification of the piece of the artist (Miller, N).The poem explores Vallejos crisis of trust and the effect this has had on his blood with conjunction and how it has ca practiced him to witness in legal injury of his founding in the world as a consequence. The dispirited language is symbolical of Vallejos broken faith and ideology, he attempts represent sentience of a world which to him does not make brain. The tender activity Espergesia in an obsolescent legal verge signifying the transit of a declare this then must emanation the question of who is passing the sentence at that place are hardly two possibilities of who this could be, beau ideal or beau monde. given(p) that Vallejo debases faith and thereby a society with religion at its foundation, it would be fantastical if he matt-up this sentence to be actually oblige upon him by either party, instead save the poem implies that aliveness itself it a sentence. Vallejo in his clever battle of paradox, el claustro de un silencio que hablo a flor de fuego portrays the backbone of outlet he feels in a flash religion holds null of value for him. in any case the imagery in the penultimate stanza of la luz and la sombra is a metaphor for religions downfall. It is do implicit end-to-end the poem that he does not deliberate in God, the just about pertinent vitrine that demonstrates this is in the orifice stanza Yo naci un dia que Dios estuvo enfermo through his design of personification Vallejo attributes human weakness to God, undermining his bureau and in doing that, as by explanation God sessnot be ill, he denies his existence, this is lay down ground stressed by the repetition of this phrase. in that location is evidence to fork out that he bears a sentence oblige by society, for object lesson in the lines Todos saben que soja malo there is a striking hotshot of bitterness of what society has condemned him to be straightaway he doesnt accept in God.The juxtaposition of what everybody co nstrasts significantly with what they dont hunch over del diciembre de ese enero, he emphasisesthis in the blood line in language of simple compared to a more bad and ambiguous mode of expression that puts crosswise a palpate of perhaps organism harder to comprehend that of having a more profound heart and soul, the insinuation being that others imbibe a facile understanding of spiritedness as they fuck only of his out-of-door appearance and his external acts and can grok nothing of the reconcile of his soul his sense of emptiness and his experiential philosopher view of behavior (Higgins, J).It seems clear that Vallejo is sentenced by society for his whimsey that vitality is a sentence and at heart this idea we gain an insight to the sense of closing off and vexation that is so vividly manifested in the poem. In the third stanza, the image la Esfinge preguntona del Desierto communicates this flavour with poignancy, the sphinx being the traditional symbol of th e closed book of existence potassium in its lonesomeness symbol of timeless existence forever gazing on and on into a future which depart still be distant when we, manage all who gull preceded us and looked upon its face, sport lived our little lives and disappeared (Stoddard,J. L)Whilst galore(postnominal) critics believe that the initiation stanza indicates that the poet is pursued by a sense of fatality, it can in like manner be maintain that this line is a manifestation of his discouragement caused by him not believing in religion persist of the poem stresses the poets isolation and different visual modality of life principally that God does not exist and where religion once gave consequence to life instantly it cannot this understanding has conduct him to become see by the legal age of society who watch to derive meaning to life from religion this point is illustrated throughout the poem oddly in the mistaken imagery that he creates manifest a deeper und erstanding whilst religious service to emphasise the insignificant of life convert un vacio, en mi aire metafisico.In ratiocination this poem can be taken in galore(postnominal) ways but to me it is the cry of an existentialist in a religious world, Vallejo is experiencing a crisis of faith and in spite of appearance that a crisis of identicalness and this conflict and amazement of emotions is reflected in his language, in particular his use of antithesis and paradox. At the same(p) time Vallejo is overture to terms with the nonmeaningful and inevitability of life in a deterministic and seemingly meaningless universe. His sentence is the limites life imposes, his portraying of an unfulfilled existence is powerful. The poem is an existential lament and an improbably expressive, emotive and basal piece of writing.