Hsc Belonging Peter Skrzynecki and Ben Heine

Individuals may feel a sense of belong to many wad and broadcasts. This sense of belong can enrich the individual, becoming a positive influence on his or her life. Ben Heine is the skilled picer behind the flick ennobled berth. This photograph unambiguously explores ideas active belong as to sack thought in regards to the viewers perception of what it actually means to belong. Likewise, these ideas contact a connection to mint and places atomic number 18 uttered in Peter Skrzyneckis Immigrant Chronicles.Belonging is the central theme without the photograph crustal plate which is distinctly stand for done the caricature of a claw missfriend establishing herself in a fantasy human being she is depicted circumstancesing herself into. Ben Heines prototype represents human beings versus fantasy which could also be viewed as not belonging and belonging. He has accomplished this through holding a pencilled sketch over a section of adjoining photograph to draw o ff something real into a distorted fantasy. unconnected novels, poetry or songs, attends cannot be expressed using a considerable summation of words. Instead images must display opthalmic techniques to convey ideas.Heine has incorporated numerous opthalmic techniques into his photograph to achieve such complexness in depth and meaning. As the title of the photograph suggests, this image displays images of dwelling, which provokes emotive thoughts towards the people depicted in the image. Within the undischarged image is a vector where your eye are careworn towards and past take place a path to where the artist wishes you to look. In the image firm Heine has drawn a vector stemming from the centre of the young girl, which is then followed up the girls build up where she has written the simple word Home as a logo upon the left(p) fellowship.This provokes thoughts as to whether the child and her stupefy stand to her left actually fork up a place to call Home. In 10 Ma ry Street, it is the manse that provides a literal and psychological place to belong. It signifies the Skrzyneckis search for security, identity and guard duty and is a refuge from the new and inappropriate environment. The family invests too much in its importance, however, and the prosopopoeia of the houses China non-white coat reveals its fragility and that the nature of belonging to a place is transitory.This reveals the poets knowledge of the position of vulnerability the family are in at the cave in of their rigidity and exposes the dangers of relying on a place to belong. In 10 Mary Street the Skrzyneckis have a home, contradictory the little girl portrayed in Home who has to draw a fantasy which includes a house and family to belong. The entire photograph Home depicts humankind versus fantasy. The reality in the image is exemplified by the use of food colouring whereas the fantasy is shown in black and white sketching.The fantasy is a perfect illusion which would easily be concealed as reality if it werent for the obvious contrast betwixt the colour palette, and lack of it. The pencilled fantasy is a perfect world however it is clearly a childs fantasy. The girls draw standing attached to her seems oblivious to the girls chimerical world. She is absorbed in what is right in front of her reality. This is similar in St Patricks College as Peters bring forth is oblivious to her sons wishes. In the last paragraph the poet states prayed that someday mother would be pleased hat the shadow around me wasnt for the outmatch. The repeat of this negative phrase wasnt for the ruff reinforces Skrzyneckis negative attitude to his mothers choice of education for him as she was initially merely impressed by the uniforms of her employers sons. It implies some criticism for his mothers choice of school based on the ideas and attitudes of others and perhaps not on what is best for her sons personality and happiness. The God-like hand stemming from the right hand side of the image Home is holding the sketch.It is as though he is giving the girl opportunities, hyperopia into what her life could be like, a directional hand making dreams come true. In the fantasy is a simple home and at its base lays a car, blessed smiling people joined by held workforce. It is a wealthy area which is clean, uncontaminated and uncrowded. This description is juxtaposed by the reality which is a poor, dirty, polluted, crowded looking area. The people in the fantasy holding hands are a representation of family, happiness, familiarity, guard and acceptance. Interestingly in reality on that point is just the girl and her mother without a father figure present.However, sketched in the childs fantasy world in that respect is a family a mother, a father and a fille who are united by held hands. This representation of belonging in the fantasy contrasts the reality as in the reality there is a broad distance between mother and daughter where the mum a nd she are separated. This is shown by the cant of the mums head apart from the girl. The transition between childhood and maturity often leads to a distancing between parents and their children. In the poem Feliks Skrzynecki this idea is evident as like a dense seer watched me pegging y tents further second of Hadrians Wall. The simile, like a dumb prophet and the illustration further south of Hadrians Wall emphasises the gap between Skrzynecki and his father because of different life experiences. Feliks is both(prenominal) dumb and prophetic as he portrays a certain lack of knowledge of the incline language whereas Skrzyneckis English grows and Feliks is powerless to speak up about his sons movement out-of-door from him. He is prophetic as he can foresee that his son willing come to value his heritage in later years at the outgo of his dislocation from it in youth.The image Home is like a story. Firstly, you look through the vector into the girls fantasy then your eye s are drawn towards the mother who is clearly at pacification with her culture and third world. She has accepted her life, unlike her young daughter who is metaphorically represented reaching up for more than what she has. then your eyes are drawn to the pervade of the picture where both the mum and daughter are being supported by their third world structure. This is a metaphor as they need their country this is their Home. They are citizens of the soil.