Non-Art in Popular Culture Essay

When covering fraud in get downular assimilation in that respect argon very few boundaries to adhere to. Al close to any course of media dissolve be considered as invention. But non all whole kit be practiced examples of finesse and there ar several determine factors that suffice to answer on the workmanic prime(a) of a tack together. This essay will discuss in response to the above quote the identifiable characteristics of what could be considered imposture in contemporary lead off purification. It will deconstruct the some of the most prominent types of contrivance in popular culture including street nontextual matter, euphony video and advertisements or mercenary art.And under which circumstances are they considered to be art whether this is the intention of the piece, or the creative figure out that surrounds it or scarcely the esthetic determine that it holds. It will alike discuss if works produced entirely for mercantile propaganda are still con sidered art. And if the delicious value of the work are influenced on the environment in which it resides. These three determining factors will help distinguish between art and non art in contemporary pop culture.Art in popular culture varies widely in a range of creative forms and media. Popular culture or pop culture has a heavy influence on much of the works that are created by artists today. (Gibbons, 2005, p. 1) These include all forms of street and public art including graffiti and stencil art that often make statements on pop culture. And also in a much formal environment including galleries and art museums where there is a big array of contemporary works which reflect on these elements of consumerism.There are numerous well recognised artists that have gruelling much of their practice on consumerism and culture. Andy Warhol, is a founder in livery consumerism to the high art scene in the 1960s (Livingstone 1992), something that had non universe done before. A to a greater extent recent take on this model is Takashi Murakami and the art movement Super Flat which concentrates on Japanese pop culture and particularly anime and manga. (n. a 2009 Superflat art)Art is not altogether influenced by popular culture scarce it makes up a large part of influential media for popular culture. This form of art can be recognised directly in advertising, music, music videos, cartoons and any other form of media that creatively puts forth a message, more than often that not for commercial propaganda. This is not incessantly the simile but this lower form of more accessible art is completely open to the public because it is not hemmed in by the confines or laws of the gallery system or the museum.(Stowers 1997) And it rather often strained into communitys lives, by occurring in a public station society are forced into viewing these creative works that campaign popular culture through advertisements billboards television radio and in the main in any public space just as they are opened to graffiti art and malicious mis read/write head. More often than not the environment in which the artwork resides in wallops the value that people give the piece but this is not the unless thing that should be considered when depicting the piece as several factors impact the merit of the work.These can include the creative serve up involved, the purpose of the work and the esthetic determine of the final piece. (Johnstone 2006) The creative do by that is involved in creating an art piece may have broad effects on the final solvent. In some cases its the carry through that is the work, in others cases it can be just important in evolution the meanings and values bathroom the work and also some pieces may not be understood fully until the intentional lickes are understood. The creative process has be described in four steps these are Preparation, Incubation, blaze and Implementation.(Charlie, 2008) Going through this four step pro cess is not always occur consciously but has an impact on the outcomes. (Konradsson 1999) Pieces that do not have a creative intention or process behind them can be severely limited in creative outcome and therefore have limited merit as art. In this case it severely relies on the aesthetic values that other people accordingly place on the work. And if it has little appeal in terms of colour, line, balance, circle and other principles and elements and no creative meaning then is generally not considered to be art.The purpose of the work can also impact the process of how a piece is created. Depending on whether it is for commercial use or strictly artistic intentions there can be a lengthy design process which is very calculated in terms of design. The final impact the work is strongly controlled through the elements and principles of design. This is generally used in commercial art such as illustration, graphic design, and advertising and communication media. solely these form s of creative work hold artistic value but are not necessarily considered art to the general public as it is not presented as art but takes on a different patriarchal form, advertising.(Gibbons 2005) This is a similar concept as street art or graffiti as it generally calculaten as a form of vandalism and can be considered as an eyesore. Though people are more likely to see graffiti for its artistic values and intentions as it battery-acid not generally hold the same connotation as advertising. The reasons and values for why one might engage in graffiti art are as varied as the artists who produce it. A chief reason is the prospect of fame and recognition of ones artistic talent. graffiti is also a form of self expression. The art as written material is a creative method of communicating with other writers and the general public. (Stowers 1997) What it communicates is the artists identity, expression, and ideas like all other art forms but is forced into the public eye unlike ar t in a gallery. graffito is fast becoming popular as a preferred art form of some(prenominal) contemporary artists and hold the same fundamental artistic intentions as any other art form. As art we see in galleries have purely the intentions of being art we are more likely to consider that it is art. (Hester 2007) And we find some way of connecting to it via feeling and aesthetic value or the appreciation of the process.The placement of a piece in relation to its touchs also impacts on the effect it has for example eyesight an advertising piece in a gallery we would assume it to be art and created to make a statement about advertising. Where as if it were to be place on a billboard we would consider the primary reason is the promotion of a particular product. It is very difficult to define what art is exactly. According to many artistic directors and critics there is not one hit definition of art.Art historian Robert Rosenblum believes that the idea of defining art is soremote t oday that he doesnt think anyone would dare to do it. (Witcombe n. d)And that more or less anything can be considered as art. (Witcombe n. d) Goldmans aesthetic theory (2005, 345) is of use to clarify the problem of location and presentation in relation to graffiti art. Goldman ( 2005, 346) claims that art takes us to other worlds in a manner that is quite fulfilling sensually and aesthetically The are many determining factors that help us see the artistic values in works how we as individuals read and interpret these through out the work is a matter of pure personal opinion.Some personal factors that establish our opinions on creative works are our knowledge and agniseing of art or a piece in particular, likes and dislikes and how we relate to the piece. This combined with the values of the piece that include the process, the intention, the environment in which it is placed and the visual aesthetic values of the work determine how we personally consider the impact of the work. M any people consider art as something appealing to the eye or atrial auricle but much of contemporary art is not like this and a greater understanding of the work is needed to gain an insight to the values is holds. (n. a. 2009)For most people when art becomes hard or impossible to understand right away we tend to question its merit. This is particularly the case for graffiti as some may argue (Stowers 1997) even when it is in a gallery environment it is too hard to understand, though this should not be a determining factor to deciding whether is considered art as many art work considers deeper intrinsic values. Most of the opposition to graffiti art is due to its location and bold, unexpected, and unconventional presentation, (Stowers 1997) but its presentation and often mislabeled location does not necessarily disqualify it as art either.The major(ip) determining factor is the creative value the ability to produce entangled pieces is what separates the tagger from the graffiti a rtist graffitist for short. Taggers scribble and graffitists do art. (Stowers 1997) So as we can see there are many different forms of art in contemporary pop culture including those that are influenced by pop culture and those that influence pop culture. These can be all forms of Digital Media, advertising, illustration and music as well as art we see in galleries and street art.Not all have the primary purpose of being art but all hold artistic and creative values that can be seen through the process the intention the aesthetic qualities and the surrounding of the work. Some seem to have the primary purpose of being only art while others are created for commercial propaganda. While the pieces that are generally considered art by the public, have a better aesthetic quality and are initially easier to understand there can not be any set connotations as to what it to be determined as art or non art.And that it is purely what importance, feelings and values the individual viewing the work sees. origin ListCharlie, 2008. Demystifying the Creative Process http//www. productiveflourishing. com/demystifying-the-creative-process/ (accessed 28/04/2010) Gibbons,J. 2005 Art and Advertising. P. 1-12 New York I. B Tauris & co Ltd Goldman, A. 2005. Aesthetic Qualities and Aesthetic Value . in Aesthetics detailed concept in philosophy J. O Young, p. 345-349 Oxon Routledge. Hester, N 2007. Low and last What is Art Anyhowhttp//www.monstersandcritics.com/