Muriel’s wedding critical analysis Essay

In Muriels wedding, the perception of educedian has soon arrived into a melodrama derived by P.J Hogan, as the film covers the low self-esteem Muriel in breaking by means of the bondages around her family and promoters, trespassing from suburban to civilisation. Muriel begins the film as an overweight nonstarter from Queensland, a woman trapped by a dysfunctional family, an so-so(p) neighbourhood, and a clique of beautiful best friends. The movie opens with a dick of a beautiful friends wedding, where i of the clique members is shown having an subprogram with the groom. The movie moves that fast credits, wedding, affair. Before the scandalous couple have era to emerge from their private room the ugly misfit Muriel is taken into custody by the police. Apparently, she never paid for her leopard-print dress. (3) Hogan establishes his characters rather quickly. The evil clique is made up of Barbie olfactory sensation-alikes who criticize Muriel for not wearing frosted lipstick . Muriel is clumsy, overweight and useless, hopelessly ostracized from the privileged circle by her unemployment and consequent failure to follow fashion. Ive got a job, Muriel tells them, referring to a cosmetics sales po sit downion offered by her stimulates mistress. Its not your clothes, the friends retort, its you.Crushed, Muriel steals money from her parents and clouds a holiday at the resembling resort where the clique is staying. Once there she meets up with a friend from high school (Rachel Griffiths) whose noble character is symbolized by her short lightlessness hair and indifference toward fashion. The two women celebrate their independence from the neurosis of Porpoise barf by running away to Sydney, where they get jobs, meet men, and have the cartridge holder of their lives. When I was living in Porpoise Spit I apply to sit in my room all day and listen to Abba songs, Muriel says. Since Ive come to Sydney, I havent listened to Abba at all. Muriels spousal relat ionship uses the songs of the Swedish supergroup as a clever link to the thoughts and feelings of Muriel, a young Australian woman obsessed with becoming married as soon as possible.Muriel lives with her go-nowhere family in the town of Porpoise Spit, where she spends most of her time in her room, listening to ABBA when her father isnt giving her grief. The point of this movie is very simple in exhibition to escape from insecurity and stagnant immobility one mustiness rebel against the conventions held by beautiful people, cut ones hair, buy a new wardrobe, and forge a new life on ones own. If theft and dishonesty are the only ship canal that these ends can by achieved, so much the better. Another point of symbolism in this case can be compared by the use of locating VS Muriels self esteem.Read AlsoCritical Analysis quiz TopicsViewers can compare Muriels self esteem from the scratch as she stays in Porpoise Spit a so retrieve suburbia or small town where shes in hunt club of a higher self esteem where here Sydney takes place. Although her ultimate utopia is close up the wedding, however once met, she would kindly realize that life is far more(prenominal)(prenominal) beyond. (1)(6) Sadly to say that throughout the whole film, none of the scenes appear natural, instead, they look like Hogan has manipulated the gray shades of everyday experience in order to come up with a cast of characters that are either in any case black, too white, too good, or too obviously evil. Although Muriels Wedding does an excellent job of conveying the attitudes and economic realities of small Australian towns, it fails to get the subtle interludes of conversation that make characters claverm like real people. For example, the character of Muriels mother (Jeanie Drynan) is not developed at all. She is shown once standing(a) in her kitchen, lost in a zombie-like trance, and then again in a restaurant, oblivious to the presence of her husbands mistress.It is not until Muri el ignores her at her own wedding and Muriels father moves in with his mistress that we see this woman come to life, and then she kills herself. (6) Muriels father is another trite character, as is her celebrity immigrant husband. Hogan may as well have used cardboard cut outs to play their roles, writing philandering politician on one and Olympic diver on the other. Their lives do not figure into the spell of the movie what matters is what they can do for Muriel. In the end they each total about ten grand. Muriels Wedding is an entertaining film subsequently all with a bit of an identity crisis it doesnt know if it wants to be a comedy or a drama. The filmmakers perpetually toy with the viewers, force them from high comedy to melodramatic tragedy in a heartbeat, and more than once. This problem arises whenever the camera is not on Muriel, who really owns this picture completely. Whenever the ductile supporting cast is the main focus, the film falls flat. A tacked-on, bellado nna plant ending doesnt help, either.Reference1.)http//www.sensesofcinema.com/contents/00/9/symposium.html2 2.)http//ourworld.cs.com/_ht_a/amanandamouse/abbanaticfolder/murielsweddingfolder/murielswedding.html 3.)http//us.imdb.com/ style?0110598 4.)http//www.geocities.com/Athens/Forum/4657/film/muriel.htm 5.)http//movie-reviews.colossus.net/movies/m/muriels.html 6.)http//www.eng.umu.se/vw2000/Emma/MurielsWedding.htm