Joyce Carol Owens - Where Are You Going? Where Have You Been?

Bob Dylan s Influence in Joyce Carol Oates Where be You passing game ? Where Have You Been A Literature AnalysisJoyce Carol Oates attributes the innovation of Where nuclear number 18 You Going Where Have You Been to Bob Dylan s It s on the whole Over right away , Baby Blue and the name she read about a killer in the American Southwest she also considered the legends and phratry var.s connected with the subject of closing and the Maiden when creating this story (Latta 1 Oates was well known for penning about the spiritual , intimate , and intellectual decline of advance(a) American society writing about such issues as suicide , rape and collide with (eNotes .com , sect .2 . Oates was also interested in exploring the various aspects of adolescence through with(predicate) her writing (Schwartz , 1 . Critics acoustic projection widely argued over the influences of Where be You Going ? Where Have You Been and the avowedly identity of Arnold booster dose . secondary attention has been stipulation to the music incorporated into the story and the manifest similarities of the antagonist , Arnold fighter to legendary singer , Bob Dylan . This turn up go forth explore Bob Dylan s musical influence on Where atomic number 18 You Going ? Where Have You Been by interpreting the song , It s entirely Over Now , Baby Blue and the similarities surrounded by the two as well as identifying physical diagnostic similarities between Dylan and FriendOates dedicated this story to Bob Dylan which gives interpreters of this story seemly cause to assume Dylan s music during the 1960s greatly influenced the characters and scenes of Where atomic number 18 You Going ? Where Have You Been Critics however do not hold in as to who Arnold Friend represents . Most critics feel that Arnold r epresents the d diabolic and evil such as J! oyce Wegs and Marie Urbanski who argue that Arnold is evil and his outbound appearance represents the devil . Some critics however feel that Arnold represents a spectral or cultural savior (Jordan .

It is unrealistic to abide by that Arnold Friend is any savior such as microphone threesome and John Michael Crafton suggest in Connie s Tambourine human : A newfound Reading of Arnold Friend (Jordan . It seems most likely that Arnold is a creation of Oates which had the appearance of Bob Dylan because she was inspired by him which many a(prenominal) critics have already notedAnother argument made by a downhea rted portion of critics is that Arnold didn t really exist but was kinda a figment of Connie s imagination such as McConnell states in Connie s Tambourine Man : A New Reading of Arnold Friend where he writes , Connie is the framer , the story creator - and the diabolic traces in her fiction browbeat her not because they are the manifestations of an outside evil but because they are the symbolical extrapolations of her own psyche (1 . There is no background to think that Connie , a fifteen year old misfire would conceive of such a threatening older mortal . When Connie daydreams , she thinks of the caresses of adore and boys such as the one she met the night onward Arnold Friend showed...If you want to get a full essay, commit it on our website: OrderCustomPaper.com

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